Latest CD reviews [ view all ]
The labyrinth scored for 11 different cats
review by Ian Simmons
A medieval penitential labyrinth interpreted in purrs. Very high concept.
Skullflower
review by Ian Simmons
Experimental drone metal, apparently.
Victrola favourites
review by Ian Simmons
Misogyny, yodelling and songs about pigs - unmissable
Rosemarie
review by Ian Simmons
Break out the patchouli, guys...
Revolutions
review by Douglas Messerli
Almodóvar's Volver is a kind of 'revolution' is several senses.
Latest book reviews [ view all ]
Beyond brown and bubbly
review by Jim Chaffee
Reading Louis Armand’s Breakfast at Midnight
A sickness called America - Thor Garcia’s The News Clown
review by Jim Chaffee
"Thor’s coming of age is not set against an adolescent nation establishing borders or growing through hard times to become a major power, but rather against a decaying and degenerate nation populated with inbred, narcissistic adolescents long past their second decades."
The Gospel of Wealth: towards a new generation of American consumership
review by Jim Chaffee
A review of Economics and Finance for the American Way of Life
Family Romance
review by John-Ivan Palmer
“Mother raises the kids in the father’s absence and tries to keep them clean. Clean of what? Pathogens! A pathogen in this context is both an organism and a meme, always the other guy’s.”
Les Apaches de la bibliothèque infinie
review by Jim Chaffee
“In essence, Faucher has made literature as real as mathematics and made the world outside the reader’s head as unreal as mathematics.”
Latest film reviews [ view all ]
The angel meets his devil
review by Douglas Messerli
“if Rath is not exactly an angel, he is, at least, a kind of tormented saint”
Two harbours
review by Douglas Messerli
If neither Carné’s tragic vision in Le quai des brumes nor Kaurismäki’s more positive presentation of life in Le Havre is very realistic, who cares?
Excelsior
review by Douglas Messerli
Or: bah, humbug...
Alternative Bonds
review by Douglas Messerli
A more ambiguous (and ageing) 007
Euclid’s first axiom
review by Douglas Messerli
Steven Spielberg’s Lincoln is so much more ambitious than any other American movie of the year that one would have to a cynic to deny its worth
